We shot this custom series of Tillie as a new slavegirl a year or so ago and while we were shooting
our friend Michael Stamp came along to experiment with shooting video. There's a reason we shoot
video OR stills of a given set, not both: it compromises angles and shots too much, one is a bit
prone to falling over the other camera operator, and stills really need flash light to work well in a dark
winter day whereas video can cope with the lower light levels of continuous light (but obviously can't
cope with flash). So rather than the music video edit we'd originally played with, here is part two of
the day's shoot as a behind-the-scenes special feature.
